Abstract

So far, recent literary criticism has paid attention exclusively to the poetry of Amir Brka. This work deals with prose creation, with constant emphasis on the compatibility of poetry and prose, and then prose and opinion journalism, for which the city of Tesanj is the motif backbone. The methodology of the work is based on mnemonics, under the hypothesis that Amir Brka, through a polyvalent opus, deconstructing the “dejected” space of the Bosnian town, reconstructed the timeless and all-spatial mnemotope of the city. In this way, Brka symbolically made a spatial turn in Bosnian literature, especially through the works Monograph of the City, Black Notebook and the book Jerej, which are, each in its own way, a fight against wrong ideologies and inputs that the text and book based on truth are the only credible mnemotopes.

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