Abstract

The biblical Song of Songs has undergone numerous translations into Spanish and Judeo-Spanish (Ladino) since the Middle Ages. While some translations exclusively feature the original biblical text, others also incorporate translations of the Aramaic interpretations found in Midrash Shir Hashirim. A comparison of these translations highlights a distinction in orthography between medieval and post-medieval renditions. The former are exclusively rendered in Latin letters, whereas the latter are presented in either Hebrew or Latin script. Medieval, and pre-17th century Ladino translations, encompass solely the biblical renderings, whereas post-medieval translations, dating from the 17th century onwards, encompass the translations of both the biblical text and the Aramaic interpretations. This paper specifically examines and contrasts the first three verses of the initial chapter, analyzing translations from three medieval sources and six post-medieval sources. The observed variations in these translations can be attributed to factors such as orthographic conventions, chronological influences, and the geographical locations of publication. Through these comparative analyses, it becomes evident that Ladino translations of biblical texts tend to adhere more closely to the original Hebrew source and maintain a stricter fidelity to established norms when compared to translations of the Aramaic texts.

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