Abstract
The work outlines the artistic space-time as an author's model of the world, its main features and functioning in the works of the contemporary Polish writer Przemysław Lis‑Markiewicz. The paradigm of space-time discourse is studied on the basis of the novels "Confession of the Spirit" and "Moskal". The article indicates that the plot of novels by Przemysław Lis‑Markiewicz, which also depict Ukrainian history, unfolds in a linear perspective, each chapter is marked with dates according to the calendar time. The works synthesize calendar, event and perceptual time. The spatial picture of the works is built on open and closed models of the world, macro- and microcosm. The study of the implementation specifics for the concepts of time and space made it possible to point out the relationship between the historical / character chronotope, the role of retrospection and prospection in the novels of the Polish artist. The chronotope of novels is determined by the narrative strategy, the author's intention, and the genre structure. "Confession of the Spirit" is perceived as the author's attempt to understand the formation of personality in the complex period of social and political events of the late 19th – 20th centuries and is defined as a novel-biography. The novel "Moskal" is considered as a synthesis of documentary and psychological, which testified the author's attention to social and political, spiritual problems of a person in a border situation, a historical and political novel. The article traces peculiarities of the artistic interpretation of Ukrainian geographical and cultural spaces, realized in artistic works. The space-time in the author's novels reflects the essence of the spiritual and material world of the inhabitants of the Ukrainian-Polish border, acts as a marker of the identity of the inhabitants of the region, which appears as a certain palimpsest construction, signifying the memory of Ukrainians and Poles, their narratives. In his novels, Przemysław Lis-Markiewicz unfolds the space of Ukraine in the days of wars or political vicissitudes, emphasizing the tragic pages of history.
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