Abstract

ABSTRACT This article examines three uses made of Haiti in Canadian popular music in the wake of the 2010 Haiti earthquake: K’naan’s “Wavin’ Flag” remade into a charity single, a documentary on hip-hop workshops held in Haiti by Nomadic Massive (Montreal), and the release of Arcade Fire’s Reflektor. In each case, the earthquake is addressed, transnational affiliation is expressed, and value is assigned to Haiti. Through these examples, I unpack the discursive construction of Haiti in Canadian popular music. The three examples explored in this article variously generate discourses of solidarity with Haiti and of Haiti’s alterity, sometimes concurrently.

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