Abstract

“Sounding Grief in Henry Dumas’s ‘Echo Tree’” engages Dumas’s experimental short story about two youths discussing how to speak to the dead while on a Southern hillside at dusk. This article studies how this short story meditates on how grief affects our engagement with and reliance upon voiced languages to express a desire for communion that persists beyond death. “Echo Tree”, the article argues, reveals how openness to grief, and the subsequent desire for communication with the dead, improves the imaginative capacity needed for empathetic alignment among the living. In its presentation of the psychological and imaginative difficulties of performing a call-and-response with the dead, “Echo Tree” also analogizes how a reader engages in an act of call-and-response with a muted acousmatic voice from the printed page.

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