Sound quality (SQ) of concert halls: Physical and subjective attributes

Abstract

Each new concert hall has the following stated goal: ‘‘Acoustics equal to the best in the world.’’ The owner can specify the number of seats, areas of public spaces, lighting intensities, etc. But, the attributes of acoustical quality cannot as yet be specified. Most acoustical consultants seem to feel that a ‘‘seat of the pants’’ experience is the only possible specification. But the architect’s goal is a monument to himself and he believes the acoustical consultant should achieve the ‘‘best in the world’’ goal without visible means. Numbers for specifications are needed. In this paper 40 years of pertinent research are described: What are the critical physical attributes of good acoustics, how do we measure them, and how can they be translated into architectural specifications? Four steps have been involved: (1) interviews of conductors and music critics to determine (a) their acoustical rank orderings of a large number of halls and (b) which acoustical characteristics do they believe are important, viz., reverberance, strength of sound, etc.; (2) a determination of which physical measures correlate with their beliefs plus others that are physiologically important; (3) measurements of those physical quantities in the rank-ordered halls; and (5) the correlation of the measured values with the subjective quality ratings.