Sonidos del poder y ruidos populares: Análisis de la práctica coral desde la perspectiva de los derechos humanos y la naturaleza

Abstract

Since ancient times the ethos of choral music or chorality has kept a singular relationship with the human being, through it he has communicated, allied and fought for his rights in dissimilar circumstances. In this case we propose the process of choral work post pandemic of a choral group of elderly women and their rehabilitation of vocal skills, rhythmic, attention, coordination, as well as social relations. This process that is born from the University of the Arts of Ecuador will be closely related to two components such as musical education for vulnerable groups and human rights where our objective will be to create, produce and disseminate their recognition in the construction of methodologies in the visual and sound field deriving in an artistic production.