Abstract
The production of the painter Jean Paul Lemieux is examined in the context of Quebec nationalism and its quest to define a Québécois territoriality. Prior to the independence referendum of 1995, the separatist Parti Québécois produced a ‘Declaration of sovereignty’ which was circulated throughout the province both in a text and video format. Focusing on territory rather than ethnicity, the language of the declaration sought to move away from francophone cultural politics to build a more inclusive platform for the nation. This movement toward a territorial nationalism was disrupted by the landscape imagery of the video, which was released simultaneously with the text. Composed almost exclusively of long, static, horizontal shots, the video of the declaration conveys the territory of Quebec as an empty space devoid of people and history. Looking at Jean Paul Lemieux’s use of a similar - yet differently coded - visual language in his own landscapes, I explore the complex process of collective authorship and response that enables the imaging of communities.
Published Version
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