Abstract
The relentless negations in these lines—denials of action, thought, being, and feeling—emphasize the narrator’s lack of productive intellectual or social influence and his emotional void. Yet “nothing” takes on an allegorical force as it “cometh or gooth” and as the narrator describes his “felyng in nothyng.” This allegory illogically suggests that the Dreamer finds something—a feeling—in nothing, a paradoxical notion that anticipates a deep
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