Abstract
… it is not a question of introducing out of nowhere a science of everyone's individual life, but of innovating and rendering critical an already existing practice. (Antonio Gramsci)Some years ago the concept of ambiguity was proposed as a central category in the analysis of everyday life. Henri Lefebvre, unorthodox French marxist and sociologist, suggested that precisely there, in the ‘explosive chronicle’ of daily life, it was both possible and necessary to find common ground between what was socially and culturally familiar and its eventual critique (Lefebvre 1958). The study of pop music, although rarely given attention in this context, brings us up immediately against the oscillating tensions of that cultural ambiguity which Lefebvre considered the heart of everyday life.
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