Abstract
This article examines one of the few musical scenes in ancient Christian literature, the description of a wedding banquet in act 1 of Acts of Thomas, in which a female piper pays special attention to Thomas, and Thomas sings a “hymn to the bride.” The inner dynamics of the scene are explored, and its contribution to the wider themes of Acts of Thomas is considered.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.