Abstract
Since producing Crouching Tiger, Hidden Dragon (2000), Bill Kong has emerged as one of the most inuential gures in Asian cinema. A modest and self-deprecating character, he has nonetheless pulled together some of the most ambitious and complicated lms ever made in China—projects of the scope of Zhang Yimou’s Hero (2002) and Ang Lee’s Lust, Caution (2007)—many of which have
Published Version
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