Abstract
This article presents Simondon’s psycho-biological thinking as a type of heterodox naturalism centring on the self-organizing activity of vital forms. Despite his critique of classic notions of form, notably Aristotelian hylomorphism, Simondon revises this concept through a critical expansion and synthesis of information theory and Gestalt psychology. In his lecture series Imagination and Invention (1965–6) in particular, he develops an account of psycho-biological activity as governed by what he calls ‘images’: relatively autonomous informational sub-systems that serve to regulate the relationship between organism and environment and that constitute the condition for creative action or invention. Focusing on his analysis of the individualization of perceptual objects, the article goes on to show that ‘forms’ for Simondon feature as emergent properties of quantum thresholds of ‘information’ within these systems. It also argues that such a conception offers a more promising alternative to both idealist philosophies of perception and materialist interpretations of deconstruction.
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