Simbolik Geometri Dalam Catan Sulaiman Esa Melalui Prinsip Seni Islam

Abstract

This paper explains geometric motifs through Islamic aesthetic point of view in the painting Garden of Mystery VI (1992) by Sulaiman Esa. Islamic art prescribes the whole way of life and all the activities that humans carry out in syumul (complete togetherness), including in the study of art. Islamic art is one of the advances in the civilization of the Islamic world and geometry is among the three motifs of Islamic art that are highly praised by the world community apart from calligraphy and Arabes. Islam has established those religious aspects play an important role in determining the basis and foundation to produce an element in the arts. It can be identified in geometric motifs through shape, meaning and symbolism that tend to have the concept of ‘Shari'a’. The main purpose of the study was to identify the types of geometric motifs and patterns in the painting artwork Garden of Mystery VI (1992). Explore the relationship between formalistic aspects of Islamic art and aesthetics through the production of Sulaiman Esa's paintings. This study also aims to see the aesthetic value of Islam which involves the pronunciation of symmetry in the context of mathematical culture. The written and visual data collection methodology in this study uses a qualitative approach that involves the design of case studies based on fieldwork empirical data obtained. Methods of observation, documentation and visual recording were used for the collection of research information. The findings of the study show that geometric motifs are decorations in Islamic art that comply with Islamic law and have their own privileges. An understanding of the form, purpose, philosophy, concept and purpose of geometric design application should be applied in Islamic painting artwork to form Islamic images and identities. Once again guide Islamic painters to internalise, understand and try to stimulate painters to dignify the true motives of Islam.