Abstract
Silk patterns are examples of fine art that show the valuable culture and identity of Thai communities. This is a qualitative research and the researchers used a purposive sampling technique to identify four districts in Khon Kaen province for assessment by means of survey, observation, interview, focus group discussion and workshop. The history and development of silk patterns in Khon Kaen province occurred from a process of pattern making called mudmee. The techniques were passed from generation to generation, copying plant and animal patterns in nature. Silk patterns developed in three ways: 1) using mudmee patterns as a model; 2) imitating television, fashion magazines and other media; 3) following specific commission specifications of customers. Production processes are mudmee (silk blending) and tammee (silk marking), which require original wooden equipment reinforced with steel for strength and electrical motors for speed. Both simple silk fibres and factory silk fibres are used and patterns are created based on traditional designs. In order to develop silk pattern production for added commercial value, original patterns with contemporary character must be chosen and expanded as bigger and more varied products, such as handbags. New silk patterns sold in local and regional markets will boost the income of people in Khon Kaen Province.
Highlights
Weaving reveals the inherited identity of ethnic groups
The history and development of silk patterns in Khon Kaen province occurred from a process of pattern making called mudmee
The techniques were passed from generation to generation, copying plant and animal patterns in nature
Summary
Weaving reveals the inherited identity of ethnic groups. Woven products are produced in response to everyday needs and are physical representations of culture, traditions, ideas and beliefs (Suwan, 2009). Thai silk was not accepted by the world market and, domestic popularity suffered. This situation changed after World War II, when American businessman Jim Thomson revived the Thai silk industry and increased the reputation of Thai silk across the world (Klungpanyathai, 2009). North-eastern Thai, or Isan fabric is regarded as some of the best quality fabric in the country due to the weaving patterns and colours that differ in each locality. The most woven fabrics of Isan are khid and mudmee, while in the North almost all weavers produce cloth based on Lanna styles and in the South yok is the principal fabric. Modern weaving is becoming homogenised, it is possible to find local products that retain their original identity (Silpakorn University, 2001)
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