Abstract
ABSTRACTFor decades, German Democratic Republic (GDR) architecture was seen as parochial and dictated by the Soviets, yet increasing scholarly interest has generated a picture of debates and specific practices that were embedded in the global process of expansion and crisis of Modernism. Meanwhile, and influenced by the East-West conflict, competing concepts of modernization and national identity arose in the so-called Third World, initiating multifarious cultural transfer processes. This article analyses to what extent the architects from the GDR – a country whose building practice was increasingly shaped by the principles of industrial prefabrication – have played a part in regional contexts and construction methods. It also asks what their role was in international organizations such as Union Internationale des Architects and UNESCO, which promoted their practical engagement abroad. The subject raises issues of possible freedom of action in creative design and fusion processes, but also of bureaucratic constrictions and international relationships ending in unexpected conflicts. The examples outline the field of activities that stretches from pure blueprint delivery for a memorial competition to long-standing work on location when planning whole neighbourhoods. Furthermore, the article examines how the challenges of international planning impacted building culture within the GDR itself.
Published Version
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