Abstract
In the cannon of Shakespeares criticism, Othellos Desdemona is often depicted as an icon of modesty, wifeliness, and Christian virtue; however, many psychoanalytic critics tout a more venal and meretricious interpretation of her character. The subtle process of gradually goading teen Desdemona into the trap of a prostituted, soft-porn practitioner by the male agency is orchestrated through extolling her to an exquisitely beautiful, feminine icon while dropping seemingly innocuous innuendoes of the need to offer such beauty and charm, whether platonically or carnally, to men. Her culpable passivity and disinclination to unequivocally reject attempts to prostitute her render her in collusion to her moral descent. Taking her amorous history, erotic propensity, and resolute decision-making, Desdemona strikes us as a sexual experimenter who marries Othello for her own gratification, having turned away many European princes. Shakespeare projects an image of her as an exquisitely beautiful celebrity who takes pride in flaunting her charms, seducing men, and leaving a trail of broken hearts. In the psychologically intense slap scene, without verbally agreeing to the behests of her spouse-turned-pimp, she nonetheless undertakes his every utterable and non-utterable whim. Desdemonas sudden, inexplicable reticence to spurn Othellos prompting in this scene while surrounded by her Venetian compatriots who are oxymoronically transformed to function as depraved, ferocious voyeurs reinforce her image as purposely feeble and unerringly eroticized, rendering her a complicit performer rather than a helpless victim. Whether willing or compelled, Desdemonas conflicting, character-trope served Shakespeares performative histrionics, business acumen, and rendered Othello a popular, considerably successful classic.
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