Abstract

We argue for the relevance of a contemporary return to Shakespeare because his work prompts thinking about the “Body Politic,” perhaps the most vivid and enduring image in speech describing political community ever proposed. Shakespeare's meditation on this image invites us to reflect on the conditions under which a body politic can be made whole; that the constitution of any formal commonwealth requires a self-conscious articulation of the body politic and that this articulation could not happen without the parts themselves being aware of their partial character within the whole political order. The need for the consent of those parts in the political order to which they would belong thus becomes suddenly more evident. Shakespeare's plays show that this need for consent always emerges within discrete political communities. As such, the constituent parts of those communities must grant consent, exercise and enjoy their rights, and participate in the whole within the limitations circumscribed by their political boundaries and borders. His dramatic works thus help us reconsider contemporary attacks on the nation-state and illuminate the body politic as an essential means for bringing into being the preconditions and framework required for healthy political life, including liberal democracy, to flourish.

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