Abstract

The paper is devoted to the study of semantic and functional features of expressive derivatives, both usual and occasional, in the artistic gist of the novel “Asan” by V. Makanin, as well as their role in structuring the individual-author’s linguistic picture of the world. It has been proven that the derivation of expressive lexemes is the result of improvisation according to established patterns, and that the formation of occasional substantives, adjectives and verbs involved the main methods of the Russian word derivation. It is noted that in the artistic discourse of V. Makanin, in the substantive word-formation, suffixation plays a leading role, which takes place in the sphere of abstractness and includes such lexical-semantic groups as expressive substantives with the meaning of a person, expressive substantives with the meaning of abstracted action or an abstract feature with connotation, as a rule, negative and/or reduced colloquial connotation. While in the sphere of adjectival and verbal word formation, confixation and prefixation, as the formation of expressiveness, is most productive. The paper considers the phenomenon of semantic word formation, describes the formation of semantic derivatives, including in the field of occasional vocabulary. Expressive derivatives in the artistic discourse of V. Makanin are a bright sign of his individual style, an important means of expressing the world view and outlook of the writer.

Highlights

  • Today, in the anthropological linguistics, aimed at the study of the linguistic personality in textual activity, the communicative model “author - text - reader” becomes relevant as a kind of paradigm of scientific research

  • The linguistic personality of the writer is most clearly manifested in the artistic gist of the work, which reflects the expressive possibilities of the artistic word in a broad sense, which are stimulated by the writer's individual style, his outlook and creative manner [Nurullina + et al 2017]

  • The subject of this study is the problem of the correlation of general linguistic and individual word creation, and the object is expressive substantive, adjective, and verbal derivatives in the artistic gist of the novel

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Summary

Introduction

In the anthropological linguistics, aimed at the study of the linguistic personality in textual activity, the communicative model “author - text - reader” becomes relevant as a kind of paradigm of scientific research. Comprehension of the meaning of a work of art rests on the lexical layer: “the lexical level of the text is significant in shaping the aesthetically determined conceptuality and aesthetically oriented pragmatism of the work This is the main form of representation of the artistic meaning of the text, which permeates and integrates all elements of the work and the variety of their connections and combinations” [Bolotnova 1992: 173]. Makanin’s novel “Asan” becomes significant, since the expressive function of any discourse has a certain system of language means of representation at different levels: word-building, lexical-phraseological and morphological-syntactic - and oriented on the expression of the subjective perception by the person of the real world, which reflects the knowledge of objective reality and the content of the individual consciousness of native speakers [Wierzbicka 1997]. Further theoretical studies and a thorough study of the semantic and functional features of expressiveness are needed

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