Semantic displacement in the Diwan of Ibn al-Abbar al-Quda`i al-Andalus

Abstract

Background & Statement of the problem: Semantic shift is characterized by detecting areas of creativity in textual construction, according to semantics that document the relationship between many links related to the context, such as the signifier and the signified, the meaning and the meaning of the meaning, and the meaning and its origin. A metaphorical shift has emerged in the collection of Ibn al-Abar, documenting the significance between the reasons associated with it that go back to To the addressee as the case may be, to the speaker as creativity, and to the context as speech, until it became a violation of the usual linguistic system, in the effect that gave poetry connotations that created for the recipient a language he was not familiar with before. Objectives: aimed interrogate the graphic arts that the poet Ibn al-Abar projected into the essence of compositions, and analyze aspects of arts similes and metaphors, effect of which was evident between the simile, and between the metaphor and the connotation that indicates it, and between the metaphor and the face of the resemblance, and monitoring the metaphorical and similar shifts in his collections. And the impact, and linking them to the meaning and idea of content of context. Methods: analytical approach that contributed to eliminating the shifting connotations between the terms . Results:The arts of eloquence crystallized. It constituted major introduction to phenomenon of displacement that seemed inherent with it, expressed metaphorical semantic shifts throughout poetry. was not merely description of appearances, but rather was considered veil that obscured what was hidden within its true decoration. Conclusions (Recommendations and contributions): Analyze the forms shift in meaning included in poetry collection, which led to a departure from the norm in poems, which contained within them shift from meaning, and from the intentionality of the discourse to generality. It left impression the recipient between the signifier and reference to signified.