Semanthic transformation of the title in its’ projection on a chronotope: analysis of A. Fet’s poem «Poplar» («Topol’») (to the 200th anniversary of the birth)

Abstract

The title is considered as a text category of a synthetic character, a result of author’s analytical reasoning and his way of compressing information. As a frame element it is characterized by features of effectiveness and procedurality and gains a specific inference, combining initial and excretory knowledge, explicit and implicit information, text and subtext. The aim of the article is to identify how the semantics of the title are expanding as the poetic text is being developed and numerous and diverse prospective and retrospective links of its elements are formed. The analysis of the poetical text explicated its metaphysical and ontological nature. The information in the text is gradually introduced via an ambivalent method with a combination of demonstration and implication. A totality of information transmission, formed by principles of exaggeration, antithesis, parallelism and veiling was identified. A list of various stylistic methods enhancing the title, explicating its’ cognitive characteristics and executing a constructive function was revealed. Additional meanings of the words ‘persistence’, ‘activity’, ‘power’, ‘optimism’, ‘vulnerability’, ‘communicativity’, ‘compassion’, ‘faith’, ‘assertivity’, that are being brought into the title as the text goes, including a connection with the concepts «Autumn» / «Spring», «Faith», which justified its’ metaphorization and symbolization, were discovered. All this determined the metaphorisation and symbolisation of the title and allowed the poem to be referred to as metaphysical lyrics.