Abstract

本文聚焦卡森·麦卡勒斯小说《金色眼睛的映像》中的镜像人物与镜像关系,通过分析人物性别身份在他者的映照中发生转变的动态过程,揭示他者的不可或缺性,指出不管是否存在性别等级,性别关系实质土都是一种相互映照、相互依存的自我与他者的镜像关系,由此破解小说标题题眼"映像"的內涵。

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