Abstract
A few years ago, in Greece & Rome of 1978, I recommended an approach to Pindar whereby he should be seen first in his more straightforward and simple compositions, on the grounds that an initial experience of the conventions of the epinician genre in odes for relatively unimportant people would both have immediate value for the understanding of those poems and also enable the student to use that familiarity at a later stage as a background for the understanding of the exotic and untypical compositions which celebrate the victories of the politically important, especially the Sicilian tyrants to whom the first three Olympians and the first three Pythians are dedicated.
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