Abstract
Following their 2013 monograph, Helen of Troy. Beauty, Myth, Devastation, Ruby Blondell delivers a study on screen representations of Helen in the USA, ranging from The Private Life of Helen of Troy (1927), via Star Trek, Hollywood epics, and Xena: Warrior Princess, to Helen of Troy (2003).1 Blondell takes a rounded approach to their investigation, looking at different strands in the ancient tradition and analysing numerous factors related to the production and reception of the case studies.
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