Abstract
AbstractThe study retraces Nietzsche’s 1875 notes for the planned but never published Unfashionable Observation, We Philologists, through a specific focus on the topics of science, life and art in their close and seldom discussed interrelation. The questions that the investigation addresses are: what is the significance of Nietzsche’s problematisation of science in We Philologists for our interpretation of the topic in his later works? How should we interpret these notebooks in relation to his previous writings, on the one hand, and to his later treatment of themes like the deconstruction of Christianity, the critique of eudemonism or the historical genesis of the genius on the other? Framing the notebooks as unwittingly experimental precursors of Nietzsche’s aphoristic books, the article interprets the unique nuance of the notes as an opportunity to start shedding a different light on the discussion of these questions in Nietzsche’s later works. Science, life and art become thus the focal points of a more specific and circumscribed analysis of his early thought – reconnecting these topics to their tangible origins, and tracking their early development in the context of Nietzsche’s acclaimed switch from philology to philosophy and cultural criticism.
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