Abstract

James V. Wertsch coined the concept of schematic narrative template in his Voices of Collective Remembering, which has become a classic work in memory studies. The central argument of this article is that the analytical power of the concept of schematic narrative template can be increased, and its methodological implications clarified, by making a distinction between plot structures, narrative schemata, and the practices of narrative production, dissemination, and consumption. The article demonstrates that these entities and their associated mechanisms and processes are different in kind and should therefore be studied by using different types of methods. Furthermore, the article elaborates on the cognitive aspects of Wertsch’s notion of schematic narrative template by distinguishing between the pattern completion and pattern matching functions of narrative schemata as well as between the cognitive processes of assimilation and accommodation of narrative schemata.

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