Abstract

This essay argues for the need of provincializing memory studies concepts of the third phase. Memory studies and postcolonial studies share several characteristics, such as their historical emergence, interdisciplinary foundation, and interest in knowledge production. I suggest that postcolonial critique may further enrich memory studies through Dipesh Chakrabarty’s concept of provincializing Europe, because it may help memory studies to confront a tendency to universalize and naturalize some of its concepts, including cosmopolitan, multidirectional, and transcultural memory. A critical historical analysis of these concepts demonstrates that they are not so much universal, as they produce margins and exclusions. Analyzing Tracey Sankar-Charleau and Jude Charleau’s Trinidad and Tobago Carnival performance Lady Solanaceae Ligahoo, I argue that it is important to move beyond universals to also consider cultural memories’ historical specificity. Otherwise, memory studies may risk neglecting countless fugitive memories on the margins of societies, cultures, and histories.

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