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Abstract
The article is devoted to the study of the stage and musical features of Peking and Western opera in a comparative context. It is said that the formation and development of both types of opera art has the following artistic characteristics: Peking opera music is a process of evolution of folk dance, song poetry; Western opera mainly consists of composers who transform the folk musical heritage, religious music into an integral operatic genre. Although Peking and Western operas are diff erent in performance system and artistic creativity, they have something in common in the form of dramatic music and can absorb and develop together.
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