Scenic Video Communication: the audiovisual enunciation in the theater

Abstract

This research analyzes the use of audiovisual technology in the context of the video-scenic drama, a hybrid product that results from the integration of audiovisual enunciation in theatrical representation. The purpose is to determine the modifications that the audiovisual projection introduces in the fundamental components of the drama and in its construction phases. Through the in-depth interview or scientific interview, data has been collected from ten experts in the field of theatrical creation. Once analyzed, exposes a specific poetic that rules the construction of the video-scenic drama, focused on a figurative expansion of the character's action and an expansion of space and time, based on the fragmentation and flexibility of the audiovisual image. Similarly, it has been shown that the use of audiovisuals broadens the elective possibilities of the stage director and forces to establish of new constructive strategies.