Abstract
ABSTRACT The proliferation of political entertainment has internationally produced a wide variety of news satire formats which blend journalistic conventions with comedic storytelling. This paper investigates the production of the Belgian news satire show De Ideale Wereld through a genre theory lens, viewing genre as enacted practice. It reports on 23 interviews with the show's hosts and editorial staff and a three-week observation period in its “satirical newsroom.” The findings reveal how the creators of De Ideale Wereld engage in an ongoing negotiation of comedic and journalistic roles inspired by irreconcilable genre identities, embodying conflicting intentions located on different ends of the spectrum between comedic absurdity and journalistic inquiry. Furthermore, by adhering to journalistic practices such as fact-checking and news values, the show's creators navigate perceived limitations to the subjectivity inherent to their roles as comedic professionals. This article contributes to the limited understanding of the production of news satire and the implications of hybridity on the understanding of comedic and journalistic practice.
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