Abstract
Paintings by some of America’s foremost representational painters decked the walls of two of London’s oldest arts institutions in summer 2010: the Royal Academy of Arts featured early marine scenes by John Singer Sargent, while across town the Dulwich Picture Gallery showcased work by various members of the Wyeth clan. Comparisons between Sargent and the Wyeths are much less evident than contrasts. Sargent epitomizes the cosmopolitan, transatlantic artist, whereas the Wyeths, particularly An...
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