Abstract
From the analysis of the history of the creation of the Cultural Department of the samba school Imperatriz Leopoldinense, as well as of the peak of its performance in the activities of the association between the 1960 and 1970, rises the ways in which a group of samba players, in line with the ideals of political resistance promoted by the Brazilian communist movement, organized and presented proposals for activities to discuss the military dictatorship in the community environment of the samba school
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.