Abstract
Samantha Harvey’s Transatlantic Transcendentalism addresses anew a key episode in the history of American literature and philosophy that has become so familiar to scholars of Transcendentalism and Transatlantic Romanticism that they tend to take it for granted: Emerson’s appropriation of Coleridge. Perry Miller’s 1950 anthology of Transcendentalist writings already made it clear: when James Marsh published the first American edition of Coleridge’s Aids to Reflection in 1829, along with a pref...
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