Abstract
About a year after seeing it at its first home at the National Gallery of Art in Washington, DC, I had the pleasure of seeing the Sally Mann exhibit “A Thousand Crossings” at Paris’s Musee du Jeu de Paume in July 2019. An artist myself (musician) with very deep Southern roots (13th generation South Carolinian), I have been rattled by Mann’s work since I first saw it. The images felt familiar, relevant, giving me a sense of deja-vu. Seeing them at the Jeu de Paume was even more surreal, a ring...
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