Abstract

Arthur Miller’s The Crucible is, in the first instance, a literary reconstruction of a historical event: the Salem trials that took place in the village of Salem in Essex County, New England (today Danvers, Massachusetts) in 1692. As Miller explains in his autobiography Timebends (1987), and as is clear from his introduction to the play, he not only carried out scholarly research in preparation for writing the play, he also reflected explicitly on how he had used the historical material to reconstruct a story. The central issue in this investigation is the position taken by the play with regard to writing history – historiography – and to the question: what is historical truth? How does the play relate to the issues of representing history and historical truth? To answer these questions, I will, in this research, give an extensive overview of the historical debates about witchcraft in order to situate Miller’s position on this topic. Further, I will position Miller’s work within more general debates about historiography and the historian’s possibilities of rendering a historical ‘truth’.

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