SACRED ARCHITECTURE OF JAPAN DURING THE SPREAD OF BUDDHISM: LOCAL TRADITIONS AND CHINESE INFLUENCES

Abstract

The article examines the sacred complexes of Buddhism and Shinto from the time of the beginning of the spread of Buddhism in Japan in the Nara period (645-783) in order to identify the nature of the mutual influence of two architectural traditions – the continental one, represented by the Buddhist architecture of China, and the local Japanese one, represented by Shinto architecture. As architectural examples, two authentic objects of both religious movements built in the same time period in the area of Nara were chosen, namely: the Toshodai-ji monastery complex, founded in 759 by the Buddhist monk Jianzhen, and the Kasuga shrine complex, built in the early eighth century by representatives of the powerful Fujiwara clan, the protector of imperial power. The analysis of the selected objects is carried out in four aspects: the nature of the organization of space, the nature of the interaction of structural elements, the nature of their accessibility and semantic content. The architecture of the Toshodai-ji monastery complex is dominated by continental influences, which are reflected in the organization of the complex, the structure and interior of its main pavilion kondo, and its semantics. The architecture of the complex shows the beginning of the process of transformation of local architectural traditions into Buddhist architecture, which is mainly reflected in the the structure and organization of the interior space of the kondo. The Kasuga shrine complex, on the contrary, although influenced by continental techniques, remains largely within the framework of local influences, which prevail mainly at the level of organization of the complex and at the level of its semantics. Continental influences are manifested in attempts to organize the structure of the shrine complex following the examples of Buddhist architectural complexes, as well as in the architectural form of the hondo pavilions. The identification of the characteristic features of the two architectural traditions was carried out in parallel for each of the selected objects, and based on the results obtained, the nature of the mutual influence of the two architectural concepts was compared in quantitative terms.