Abstract

Joseph Stanislaw Biezanowski, a professor at the University of Krakow, a eulogist and poet, in the collection entitled Oraculum Parthenium (Krakow 1668) used a hundred of simple anagrams of Giovanni Battista Agnese published in Rome in 1661. These short (one-sentence) phrases, formed from the letters of the first part of the Angelic Salutation (Ave Maria, gratia plena, Dominus Tecum), accentuated on Mary’s immaculate purity and freedom from the stain of the original sin on the one hand and her divine motherhood on the other, thus increasing the role and the importance of Mary in God’s plan of salvation. Biezanowski used these anagrams, making each of them a motto elaborated on in his epigrammatic comment. Epigrams of the Krakow lecturer are characterized not so much by the deepening of the religious reflection, as attention to the formal aspects, the pursuit of artistry. This is reflected in the application, many times within one work, of rhetorical figures highly valued in the Baroque (antitheses, oxymorons), the chiastic structure and interspersing the punch line of the epigram with the anagram from the motto (sometimes in a modified form). Anagram not only served as an additional rhetorical decoration, highlighting the main idea of a work, but also provided a bridge integrating the entire composition. Biezanowski enclosed the anagrammatic-and-epigrammatic praise of the Virgin Mother of God by an interesting theory of the genre outlined in the preface to Pope Clement IX, whom the University of Cracow gave the collection while making efforts to proceed with the beatification of John Cantius. It combines the literary and theological reflection and in this way exalts the genre, contrary to the opinions of some seventeenth-century theorists. Biezanowski’s original approach is also evident in the change in the system of anagrams proposed originally by Agnese. In this new system Oraculum Parthenium could perform several functions: educationional, propagandistic and polemical. Above all, however, it was a poetic prayer, complementing the official Marian liturgy.

Highlights

  • The aim of the paper is to present the almost forgotten today, and known in the second half of the seventeenth century in Poland and abroad, anagrammatic Marian works of Joseph Stanislaw Bieżanowski based on the collection Oraculum Parthenium (Krakow 1668)

  • This discussion takes into account: 1) the characteristics of simple anagrams of Giovanni Battista Agnese, formed from the letters of the first phrase of the Angelic Salutation (Rome 1661) and elaborating on them Bieżanowski’s epigrammatic comments; 2) literary and theological theory of anagrams outlined in the preface to Pope Clement IX; 3) potential functions of Oraculum Parthenium

  • Joseph Stanislaw Bieżanowski, a professor at the University of Krakow, a eulogist and poet, in the collection entitled Oraculum Parthenium (Krakow 1668) used a hundred of simple anagrams of Giovanni Battista Agnese published in Rome in 1661

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Summary

Introduction

The aim of the paper is to present the almost forgotten today, and known in the second half of the seventeenth century in Poland and abroad, anagrammatic Marian works of Joseph Stanislaw Bieżanowski based on the collection Oraculum Parthenium (Krakow 1668). Od schyłku XVI wieku obserwuje się w Polsce wzrost zainteresowania bardzo popularnym w całej Europie anagramatem[1]. Szczególnie dużą popularność ta odmiana poezji kunsztownej zyskała w drugiej połowie XVII wieku, a dokładnie od schyłku lat sześćdziesiątych tego stulecia, co – jak zauważa Piotr Rypson – należy wiązać zarówno z rozwojem barokowego konceptyzmu, jak i z postępem w dziedzinie nauk ścisłych, zwłaszcza matematyki[2]. Należy tutaj przede wszystkim przywołać doktrynę Niepokalanego Poczęcia Najświętszej Maryi Panny, od średniowiecza aż po XIX wiek (do ostatecznego sformułowania dogmatu w 1854 roku przez papieża Piusa IX) wywołującą, zwłaszcza w Europie Zachodniej, żywe i niekiedy bardzo gwałtowne dyskusje[4]. Ta ewangeliczno-liturgiczna formuła stanowiła także ważny „argument”, przywoływany (nie tylko przez teologów) dla podkreślenia i uzasadnienia nadzwyczajnej roli i pozycji Maryi jako Niepokalanej Dziewicy Bogurodzicy, jak również dla uzasadnienia samej nauki o Jej Niepokalanym Poczęciu. Spośród owych zbiorów wymienić tutaj można: tomik jezuity Wojciecha Tylkowskiego zatytułowany Fides prophetica, wydany w Oliwie w 1647 roku; dwie pozycje paulina Ambrożego Nieszporkowica: 1) Fragmenta cogitationum sive anagrammata purissima ex Angelica Salutatione ... disposita, Kraków 1699, 2) Anagrammatum ex Angelica Salutatione Ave Maria, gratia plena, Dominus Tecum, in pedes poeticos coactum, Kraków 1701?; czy też publikację franciszkanina Krzysztofa Klimeckiego Chilias liliorum ex horto Mariano Salutationis Angelicasae post messes fasces et acervos anagrammaticasae collectionis, ad octonarium redacta ac in totidem serta conspicata, wydaną w Zamościu w 1696 roku

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