Abstract
Blanchot writings on Mallarme describe him as the performer of a poetic experience: the point that matches the implementation of language and its disappearance. Reflections on this process would lead to language beyond doxa, beyond what prevents you from seeing the invisibility of the invisible. In this sense, the present work intends to go through the buildings erected by Kafka in The Construction and The Process where, for Deleuze and Guattari, there would be architectural groups that work and break into discontinuous blocks. As these constructs is language itself, which, as modern reactance, reactivates archaic formations and neoformations that hold mutual penetrations of bureaucracy as modern ruins.
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