Abstract

When measuring a concert hall, a primary goal is to characterize the perceptual aspects of the room’s quality. Since subjective testing requires extensive time and resources, halls are often compared using objective metrics designed to correlate with perception. The goal of the present work is to create a concert hall measurement database that allows for both accurate objective and realistic subjective assessment of concert halls. A 32-element spherical microphone array is used to capture a spatial room impulse response (SRIR) within a hall. A three-way omnidirectional sound source is used for objective measurements, exhibiting omnidirectional behavior up to 5kHz. The omnidirectional SRIR can be used to calculate typical room acoustic metrics and analyzed using beamforming techniques. For a realistic auralization that resembles an orchestral performance, an alternate sound source was used: a compact 20-element spherical loudspeaker. This loudspeaker can be moved around a stage and the measurement signal c...

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.