Abstract
The article is devoted to the phenomenon of romantic irony as a component of romantic discourse. The intention is to identify the ambivalence of the rational and the irrational in the system of romantic worldview and to identify the originality of romantic ironic discourse in a literary work. We consider the artistic methods of constructing the plot (transitivity of life and death) and composition ( so-called peak composition), double narration as a narrative method in the story,multiple point of view, forcing the reader to constantly change the reading codesThe example of the research of E. A. Poe’s work, namely his novels, reveals the peculiarities of the ironic discourse in the romantic literature as a double encoding of the text. Special attention is paid to the textual analysis of the novel “A Descent into the Maelstr?m”.
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