Abstract
The present paper sets out to explore Robert Browning’s dramatic monologue introducing Andrea del Sarto (1486- 1531), a late fifteenth-century Florentine painter who was praised for his technical skills in painting but who lacked a spiritual dimension in his art, compared to the works of his contemporaries, Michelangelo Bunarroti (1475-1564) and Raphael (1483-1520).
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