Abstract

Combining insights from gender, popular music, and celebrity studies, this article addresses to what extent British broadsheets frame Amy Winehouse and Pete Doherty differently with regard to their rock and roll lifestyle. Our content analyses of The Guardian and The Independent indicate clear gender differences. First, Doherty's excessive behavior is often framed in positive terms (rock and roll), while the media discuss Winehouse's conduct more negatively (rock and fall). Second, British newspaper journalists admire Doherty's courage to lead such a lifestyle, oftentimes justifying – or even negating – his behavior, arguing he is an independent individual or even a hero. Such adoration is absent when Winehouse's escapades are reported on; most articles treat her as a victim, expressing concern regarding her poor health. As such, our findings show how music journalists use relational complicit practices – admiration/justification/negation of male and victimization of female enactment of hegemonic masculinity – to maintain masculine monopoly over the archetypical rock and roll lifestyle.

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