Abstract

ABSTRACT This essay forms a relational connection between two artivist projects of transnational border intervention—the Aylan project, and the Border Tuner project. These projects created spatio-temporal disruptions and ruptures in the normative discourses about borders and im/migration by harnessing the rhetorical power of victim images. These artivist interventions offer ways to make visible the humanity of the migrant–refugee figure. They offer a potential response to the recent abolitionist telos conceptualized in rhetoric border(ing) studies.

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