Abstract

Currently, informative graphics has attracted considerable attention for its efficient and effective methods of communication. The ways in which people receive information strongly influence their ability not only to comprehend the information but also to capitalize on the purported benefits of the information. Information-design approaches can facilitate the creation of many good-quality designs. By understanding both the history of information design and pertinent case studies, we can familiarize ourselves with information-design methods and applications. In this article, I discuss the evolution and various forms of informative graphics on the basis of historical, content-oriented, and phenomenological analyses. I investigate visual representations’ roles and identify the strengths and deficiencies of visual communication for information design. Historical evidence—such as Playfair’s graphic charts and his method, Winderlich’s clinical graphics, Nightingale’s statistical graphs, and Snow’s dot maps—show that appropriate visual formats can depict data and that these depictions can demonstrate effects over time. The graphical method can also aid in the measurement of small-time intervals between biological effects. Multiple variables enhance the exploratory power of graphics in relation to analysis and discovery. Narrative graphics associate the spatial dimension with time-series displays to depict space and time. Although many disciplines acknowledge “the importance of communication,” the general public in Taiwan has only recently begun to acknowledge the importance of informative graphics. We should reflect now and then on the evolution and various forms of informative graphics.

Highlights

  • In recent years, the field of infographics has garnered praise for its efficient and effective facilitation of communication

  • Infographic designers have drawn from these three traditions to expand design

  • I use content analysis and phenomenology to investigate how visual representation has been a powerful analytical tool, and I identify the strengths and deficiencies of Taiwan’s creative industries, which have brought forth new forms of visual communication for information design

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Summary

Introduction

The field of infographics ( known as informative graphics) has garnered praise for its efficient and effective facilitation of communication. Infographic designers have drawn from these three traditions to expand design These designers articulate, transmit, and interpret the effects of design on culture. Suggest that productivity is richer than ever owing to improvements in technology, boosting the quantity of visual information while posing questions about the effective development of information. By investigating both the history information design and several pertinent case studies, we can understand information-design methods and applications. I use content analysis and phenomenology to investigate how visual representation has been a powerful analytical tool, and I identify the strengths and deficiencies of Taiwan’s creative industries, which have brought forth new forms of visual communication for information design

The historical view and evidence
Explanation and persuasion
Explanation Graphics
Sunflower Movement
Conclusion
Full Text
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