Abstract
The article considers issues related to the study of the creative heritage of Kazimir Malevich. It characterizes Russian and foreign researchers and their main works, highlights and analyzes the difference of domestic and foreign researchers’ approaches to the study of the artist’s heritage. Besides, the article reveals the basic principles used by researchers and including mainly a chronological study of life and creative biography, philosophical and art history analysis, art history and linguistic analysis of graphic sheets, attribution and technology in the works of K. Malevich, and determines the predominance of art history analysis in both Western and Russian bibliography
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