Abstract

ABSTRACT The Club, a Turkish series exclusively produced for Netflix, challenges the official historical narrative of modern Turkey by depicting the experiences of minorities on the brink of the country’s political upheaval. It highlights the state’s complex relations with its minorities and historical events that are often silenced in the official historical narrative. This study looks at how Turkey’s dark pasts pertaining to its religious minorities are portrayed in The Club and the ways in which its audience respond to these dark pasts. It argues that the audience of The Club recreates the silences about the past, resulting in the denial or rationalization of state violence, while emphasizing a nostalgic multi-cultural past.

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