Abstract
The monograph by E. Evgrashkina examines the semiotic possibilities of the language of contemporary Russian- and German-language poetic texts. Instrumental tuning of the theoretical field of research requires detailed coverage of the concepts of «language games», «poetic discourse», «semiotic reality», «semiosis». Poetic discourse is identified with a semiotic process in which a special kind of semiosis is realized – «mobile semiosis», involving the reader in the game of appearances and «flickering of meanings». The development of the semiotic potential of individual lyrical texts of German- and Russian authors is traced. Their poetic texts of these authors reveal a complex composition of signs, syntax decay, rejection of rhyme, lexical «innovations», changes in conventional graphics, playing with punctuation marks etc. The main significance of the monograph by E. Evgrashkina is determined by the theoretical understanding of individual poetic practices, the study of the semiotic potential of language and the field of its functioning in modern Russian- and German poetic texts.
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