Abstract
Tucked within the surprisingly earnest postmodern halls of the Heinz Architectural Center in the Carnegie Museum of Art, Unsettling Matter, Gaining Ground offers a visceral portrait of extractivism. Cocurators Ala Tannir and Theodossis Issaias display a variety of media that engage mourning, loss, and action in times of climate and social transition. Anchoring seven new commissions alongside seven historical artworks from the Museum’s collection, the curators build the scaffold for an institutional critique without getting mired in the details.
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