Abstract
The fiction of Australian novelist Alex Miller has long been exploring the dynamics of friendship, but in Landscape of Farewell (2007) he provides the most ambitious, and in my view the most comprehensive and perceptive, treatment of the subject of any contemporary novel, Australian or otherwise. This essay explores this profound view of friendship, which goes quite beyond mateship, and examines the ways in which Miller represents and embodies that vision in fiction. Through its brilliant handling of the complexities of tone and its rich deployment of the dynamics of gift exchange, Landscape of Farewell confronts the stark realities of suffering and death and finds within the darkness itself the deepest sources of light.
Published Version
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