Abstract
Book Review| June 01 2012 Review: Detour by Noah Isenberg; Siren City: Sound and Source Music in Classical American Noir by Robert Miklitsch; Dark Borders: Film Noir and American Citizenship by Jonathon Auerbach; Film Noir and the Cinema of Paranoia by Wheeler Winston Dixon Detour by Noah IsenbergSiren City: Sound and Source Music in Classical American Noir by Robert MiklitschDark Borders: Film Noir and American Citizenship by Jonathon AuerbachFilm Noir and the Cinema of Paranoia by Wheeler Winston Dixon Film Quarterly (2012) 65 (4): 70–73. https://doi.org/10.1525/fq.2012.65.4.70 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Review: Detour by Noah Isenberg; Siren City: Sound and Source Music in Classical American Noir by Robert Miklitsch; Dark Borders: Film Noir and American Citizenship by Jonathon Auerbach; Film Noir and the Cinema of Paranoia by Wheeler Winston Dixon. Film Quarterly 1 June 2012; 65 (4): 70–73. doi: https://doi.org/10.1525/fq.2012.65.4.70 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentFilm Quarterly Search This content is only available via PDF. © 2012 by the Regents of the University of California.2012 Article PDF first page preview Close Modal You do not currently have access to this content.
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